I believe images should capture moments and personalities, rather than poses. Let those candid, authentic moments shine and tell a bit of your story.

PRICING

WEDDINGS

PORTRAITS

We believe images should capture moments and personalities, rather than poses. Let those candid, authentic images shine and tell a bit of your story.

PRICING

WEDDINGS

PORTRAITS

We believe images should capture moments and personalities, rather than poses. Let those candid, authentic images shine and tell a bit of your story.

PRICING

WEDDINGS

PORTRAITS

We believe images should capture moments and personalities, rather than poses. Let those candid, authentic images shine and tell a bit of your story.

PRICING

WEDDINGS

PORTRAITS

We believe images should capture moments and personalities, rather than poses. Let those candid, authentic images shine and tell a bit of your story.

NOTE —

If your blog post's featured images are fairly low resolution, you may want to delete the top image canvas. Your blog will still look gorgeous, but the top banner section looks best when you upload an image that's 2500px on the long side. You can also use our fave TinyJpeg to make them small so your blog posts still load quickly! 

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Photography Approaches & Styles

Wedding Photography Approaches & Styles

There are two different artistic criteria you have to consider when searching for a wedding photographer.

  1. Approach — how a photographer goes about photographing your wedding
  2. Style — the look and feel of the images

The approach is the overall way a photographer goes about photographing a wedding. This will determine how much time they need, what their objective is (we’ll get into that below), and 

When saying what the main focus of these types of photographers is doesn’t mean they can’t provide images that cross over various approaches. It just means this is what they specialize in and why they should be selected to collaborate with you on your wedding photography.

Keep in mind, if you’re selecting a photographer that matches the approach and the style, don’t ask them to change up the way they edit their images. The contrast, tone, colors are all part of their style brand which they’ve taken a while to develop. If you don’t like the final look of the images as it pertains to the editing, keep looking. If you’ve given yourself enough time (at least nine months), you’ll find a photographer that checks all the boxes on your list.

Approach

Traditional aka Classical

With the traditional approach, the focus is on people and places. Everyone is much more camera aware for the images. It’s wedding photography just as it was when your parents were married. The photographer shows up for the ceremony and then portraits. Nothing fancy, but that’s not necessarily a bad thing. If you’re simply wanting images of the ceremony, important people in the wedding, and highlight some of the areas where you were married, this is the approach for you. 

The photographer will more than likely work from a shot list of the details, people and moments that are important to you. With a traditional wedding photographer you have to be specific on your expectations, wants and needs.

Over the years as more and more approaches and styles have come onto the scene, traditional wedding photographers have become varied and tend to offer a bit more versatility. 

If you’re on a budget, and this approach suits you, this may be the most cost-effective wedding photographer because they don’t require a lot of time to capture the images. 

Keep in mind, candid moments or magazine-looking images aren’t the specialties of a traditional photographer. 

Pros — very straightforward approach and uses a shot list so you know what you’re getting

Con — doesn’t specialize in capturing candids or creative/artistic portraits

Fine Art aka Contemporary, Editorial

These photographers focus on making magazine worthy images. Think of the bridal blogs and magazine images you see, and that’s what a fine art photographer’s goal is. 

A key term for this type of photography is perfection. There’s a lot of styling and posing to make sure everything looks just right in the image. 

Most fine art wedding photographers like to have more time for the details and portraits. Some photographers will even bring styling products like fabrics and boards for the invitations and rings, and even artisan hangers for the dresses.

If you’re wanting your wedding images to look like they belong in Vanity Fair magazine, this is the way to go. Make sure you know the photographers expectations when it comes to the amount of time they need for specific parts of your day like the details (dress, shoes, ring, stationary, ceremony and reception detail items) and portraits.

Pros — you’ll get fashion/bridal magazine quality imagery

Con — may need more time commitment for portraits and details

Documentary aka Photojournalistic, Candid

In the early 2000s, as newspapers were laying off photojournalists, these talented photographers were looking for areas where they could put their moment-capturing skills to good use. Weddings were a perfect fit for a lot of these photographers.

With a documentary photographer, their goal on a wedding day is to captures moments and to tell a story with images. 

The benefit of a documentary wedding photographer is they’ll focus on the wedding day as a whole. If having candid images of the guests enjoying themselves, seeing laughter and tears, as well as images of the bridal party, this is the photographer for you.

Dream weddings for these photographers are couples who don’t care about portraits and details (although most typically capture these images still) and want to have an emotional reaction to their wedding images.

Pros — will have an emotion-moment based story highlighting your wedding

Con — portraits won’t be as posed and details won’t have that magazine-styled quality 

Styles

Natural Light

The photographer relies solely on the light that’s available. This could be a perfect fit if you’re getting married earlier in the day and your reception will still have some natural light available. Some natural light photographers will bring out a light or two when the reception comes along if the area is too dark. Be sure to ask about reception lighting during your consultation.

Cinematic

Epic, big scene setter portraits and moments, as well as layers of activities in a single image. Think of a post card scene with you in it, or emotion-evoking moments.

Bright & Airy

Think soft, bright, romantic, and elegant images.

High fashion

This is the Vanity Fair type portraits. Every portrait has a very intentional pose and the lighting may tend to be a little more dramatic. For someone who doesn’t mind spending more time on portraits due to the amount of posing and lighting involved.

Dark & Moody

Images with a some drama due to the darker editing style.

Artsy

There’s a lot of use of lights, mirrors, colors and texture (and perhaps Photoshop) to get a certain look that is graphically appealing and well … artsy.

Film Photographer

It’s just was it says. A photographer who shoots film. These photographers tend to charge a bit more because of the costs for film and developing. Some film photographers shoot in a hybrid style where they’ll also have a digital camera for receptions.

Vintage

Filters, editing presets, and the early days of Pinterest have brought this style back. Colors and tones tend to be faded and there may be an overall color tone to the images (think old west sepia toned cowboy images).

As you dive into your photographer search, it’s important to first determine the approach you appreciate the most. Once you determine that, start finding photographers with that approach and see which styles you connect with more. Once you have a selection of photographers whose approach and style are a fit for you, then you’re onto the next steps of making sure they’re within your budget, reading reviews and testimonials, having a consultation, and review full wedding galleries (don’t ever solely rely on what’s on a website).

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BEHIND THE LENS

MEET JEROME

The photographer who never knew he wanted to be a photographer

I found my way into being a photojournalist in the Navy, but I never had any interest in photography.

Everything changed for me when a tearful mom unfolded an old newspaper and said she wanted to get a better copy.

The reason for the request? Her 10-year-old son had recently passed away after a long battle with leukemia and the image on the front page of the paper was him, bald from rounds of chemo, with a bird on his head and a smile that would melt your heart. That was the last picture taken of him smiling … looking carefree like any other young boy.

They wanted the new copy to frame and place in his little brother’s bedroom so he’d always remember his big brother being happy and smiling down on him.

What changed my life from this experience was that was my image. An image from my very first newspaper assignment. I remember taking it. I was an angry 19-year-old and felt that first assignment was taking away from my dream of being a DJ. I was so wrong.

Two things passed through my mind when that family visited me:
  1. I found my life’s calling
  2. The power of photography and that tangible element is real and is meaningful. It’s the visual documentation that provides proof we were here. We experience life, love, receive love, accomplish great feats, endure, and are a part of history within our family and communities.

After that experience, I immersed myself in photojournalism. I studied, job shadowed, worked my butt off telling the stories of people who I was lucky enough to get an inside look of their lives.

This is why I do what I do. It’s also why my home has images hanging from every wall to highlight who my daughters were growing up, and who they are now. I want to always remember the 20th anniversary trip with my wife, and see myself and my girls acting goofy together. These moments are fleeting and the memories quickly fade without the images to remind us.

Through my photojournalism career, and now my portraits and weddings work, I’ve devoted a big part of my life to telling stories with my images. I take that responsibility very seriously. I want you to have something tangible that will tell your story to your children, and grandchildren, and their children. I want a family member to walk down a hallway decades from now and point to a picture and ask about that moment captured in time.

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